My working practise always begins with a biro drawing on a paper notepad. The drawings I produce tell short stories, make glancing observations or document whimsical thoughts. The settings within the drawings are often autobiographical. I draw pictures of my Nans Monkey Puzzle Tree or of the wind turbines in the field behind my Aunties […]
Flamboyant 170 by 170 – Oil, various mediums yarn on burlap – 2016 Picasso’s “Le demoiselles d’avignon,” Patra live performance of “Worker Man” on The Word, Ginuwine’s “Pony” have each asked me what can be thrown at art to open up more possibility with painting. These artworks pushed against the dominant logic of their mediums to […]
Film still of ‘un/foling in’, 14min56s, Bo Choy, 2016 Working primarily in moving image and performances, Bo Choy’s work centres round collisions between the past and present, how they are manifested in the present moment and the politics that is resulted from living in a late-capitalist urban environment. Comprising of archival footage, animation and own […]
My artistic vocabulary is formed through the mediums of Installations, sculptures, constructions, photography, performance, and most recently the act of walking as a form of art and art practice (flaneur). With my work, I research how social, cultural and political phenomena have an impact to our senses, our bodies and affects the way of forming […]
“My work aims to examine a particular kind of mysticism in our experience of nature and technology. Even using the word mysticism is troublesome, as it comes with so much conceptual baggage, but I want to explore mysticism as ‘function’. For example, forests provide inspirational groundwork for modes of artistic reception – this idea of […]
In my practice, I work with texts and the performative acts they can generate, such as speaking, listening, reading, and writing. These acts attempt to situate texts, and the fictions they can produce, as sites of somatic semantics, in an effort to orientate praxis, or inform ways of acting and living in the world. I […]
vomiting life 2016 mixed media W38 x D34 x H110 cm My art practice often starts from an emotional experience which could not be verbally processed, and hence had remained unresolved. I am interested in how materials, colour, surface and form translate this non-verbal experience into a physical reality which can be shared with the […]
Former CAC Trust recipient Lilah Fowler has work in a show at the Vasarely Museum in Budapest. The exhibition is organised Open Structures Art Society (OSAS) and co-curated by Dòra Maurer, with an accompanying publication coming soon. ‘Pure Light’ 14 October – 10 January 2016 Vasarely Museum, Budapest 1033 Szentlélek tér 6 http://www.osas.hu OSAS Az […]
Relentless Optimism, a Moment of Blindness Before and After the Dark Space 25 September – 18 October 2015 1pm to 6pm Thursday to Sunday Private View: Thursday 24 September, 6pm to 8pm Relentless Optimism, a Moment of Blindness Before and After the Dark Space, is an exhibition of new film work by Aaron Wells (Chelsea Studio Award). Using collaged […]
The annual Chelsea Arts Club Trust exhibition and artists’ lunch at Chelsea Arts Club was a huge success. The exhibiting artists were Georgina Nicolaou (Chelsea), Allison Ballance (Goldsmiths), James Pimperton (Chelsea), Joel Wyllie (Royal Academy), Rebecca Fontaine-Wolf (Wimbledon), Katja Larsson (Slade), Julia Varela (RCA) and aaron Wells (ACME Studio Award). At the lunch the exhibiting […]
